Welcome to National Novel Writing Month, or NaNoWriMo

For anyone who didn’t know, today marks the beginning of NaNoWriMo, or National Novel Writing Month. The idea is to write 50.000 words during the month of November. My former professor and member of my personal pantheon of interesting minds, Roger Lathbury, did it a couple of years ago.

But what about this, then? To actually write 50,000 words in 30 days? Let’s break that down: it’s about 1700 words a day. Can I do it? Sure, I can write 1700 words a day.

In reality, I’ve probably written 5000 or more words in a day many times – but then likely spent the next several weeks marveling at where the heck that came from. Continue reading

Timing Is Everything

As my nifty little wireless Brother laser printer churns out pages behind me, in preparation for a video I’m making on making my own books (stay tuned), and the massive hurricane Sandy makes its way up the coast to turn off my power, knock down my neighbors’ trees, wreak celestial havoc, and generally maybe just eat the East Coast, I just wanted to get in a post on great new stuff from Poets & Writers magazine, where, back in the days when I was working in publishing, I once applied for a job, and which, also many years ago, ran a piece of mine on simultaneous submissions.

(For my money, P&W mag, even in the old days when I first subscribed to the magazine called Coda, has the most news writers can use. Some right thinking philanthropist needs to help P&W get their whole magazine on line, for electronic subscription. Seriously. P&W, how much would it cost?)

Talk about your serendipity. In the new edition, which arrived in my mailbox on Friday, there’s a substantial piece on independent publishing, featuring the family affairs that are Two Dollar Radio, Ig, and Small Beer Press, which publishes the awesome Elizabeth Hand. Continue reading

Is Literature Fundamentally about Grief?

All the new thinking is about loss. In this it resembles all the old thinking. –fr. “Meditation at Lagunitas,” by Robert Hass

The idea has been percolating in my head for some time now that a serious component of most, if not all, literary fiction–and that may also include poetry–is fundamentally underlaid by grief.

If not the search for lost time, then the attempt to regain it, place some animal moment in amber and crystallize it.
I am only speaking for myself here, but I had one of those moments, not too long ago, where a revelation is visited upon you that makes your head snap back. For me, that revelation came in the form of a short story by my kindergarten best friend, Paul Witcover, that is nominally about the summer of his mother’s death, and then later a conversation with a wise lady who gently pointed out to me–when I protested I was not grieving yet, because my father hadn’t yet died (he has now)–that grief tends to surround us. That every path taken represents a lot of paths not taken, and that those paths left to go fallow can be the genesis of griefs large and small.  Continue reading