Not much, really.
- Nov. 1 — Totally blazed. Got off to a good start, if not a great, fantabulous one.
- Nov. 2 — Totally blazed, and then lost it all.
- Nov. 3 — Recovered/reconstituted the lost work on Nov. 2, add some decent stuff, but of course got behind.
- Nov. 4 — Between yard work and Sandy-related cleanup, and getting my son where he needed to be, didn’t write a word.
- Nov. 5 — It’s not like I don’t have anything else to do. So we shall see what happens.
Let’s see where this goes…
A couple of days ago, I was walking home from the grocery store. It was after school had let out, and it was Halloween. In front of me, on the sidewalk, around the corner from my house, a couple of kids were walking, a boy and a girl, and the girl was carrying a single red rose. Maybe early teens. I liked that image, the boy and girl walking together, the girl carrying a rose, the sky overcast, the rose the only real color on a gray day. About them? Nothing particularly interesting or noteworthy, except while they were together, it was clear they weren’t together. Continue reading
For anyone who didn’t know, today marks the beginning of NaNoWriMo, or National Novel Writing Month. The idea is to write 50.000 words during the month of November. My former professor and member of my personal pantheon of interesting minds, Roger Lathbury, did it a couple of years ago.
But what about this, then? To actually write 50,000 words in 30 days? Let’s break that down: it’s about 1700 words a day. Can I do it? Sure, I can write 1700 words a day.
In reality, I’ve probably written 5000 or more words in a day many times – but then likely spent the next several weeks marveling at where the heck that came from. Continue reading
Interesting story on The Millions : Why Are So Many Literary Writers Shifting into Genre? by Kim Wright. “Once upon a time,” she writes,
genre was treated as almost a different industry from literary fiction, ignored by critics, sneered at by literary writers, relegated by publishers to imprint ghettos. But the dirty little and not-particularly-well-kept secret was that, thanks to the loyalty of their fans and the relatively rapid production of their authors, these genre books were the ones who kept the entire operation in business. All those snobbish literary writers had better have hoped like hell that their publishers had enough genre moneymakers in house to finance the advance for their latest beautifully rendered and experimentally structured observation of upper class angst.
Seems to me that her somewhat ironic and overstated take is accurate.
From my perspective, one of the issues In ghettoizing books into genre is the perennnial need to arm a sales force with some handle to sell books. Got a treatise on treating corns and bunnions? No problem whatsoever for the sales force. That is something that people with corns and bunnions need. Nobody, in the strictest sense, “needs” fiction. So, got a novel with a lot of baseball in it that’s not baseball? Who, in the strictest sense, needs that? Got a novel about
I don’t think it’s entirely new that “mainstream” literary writers are “shifting” into genre (and neither does Wright). I kind of think all of this is sort of coincidental. In my own case with my new novel, THE FINAL APPEARANCE OF AMERICA’S FAVORITE GIRL NEXT DOOR, I could not have told the story I wanted to tell without a bit of genre-bending. The funny (to me) think about all of this is that we’d totally accept such excursions if we saw them in the movies, but it is somehow a Problem in selling a novel.
To me, this seems just another way that mainstream (i.e., not indie) publishing has chased itself So far up a very tall tree that it’s no longer very easy to see the ground.